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   If I haven’t said it yet, a good guidebook is worth its weight in gold.  The confidence gained by knowing minute details of certain situations, before you’re in them, makes traveling a much nicer affair.  We learned long ago to be happy and spend the $12-15 on a good guidebook, reading it closely before your feet land on foreign soil.  Moon and Rough Guides, or Rick Steves’ if he makes a book for your destination, rarely let us down. 

    I say this because the guidebook we purchased before leaving was good enough to give specific directions for riding the subway to the major bus terminal in the north of the city, and to tell us where to buy tickets to travel to the pyramids of Teotihuacan, 50 kilometers north of the city.

   
A little over an hour after leaving our hotel at 6 a.m., we were aboard a bus hurtling along a four lane freeway.  At one point, four lanes funneled to two in a span of about 100 feet.  Being in a vehicle larger than most on the road, and being protected by crucified Jesus himself, hanging from our windshield, our driver elegantly forced his way forward.  Soon we were rolling again and los piramides loomed in the distance.
   
Around 200 B.C., a group of Native Americans, their name now lost to history, began building a society that would encompass two pyramids, one of which is as large as the great pyramids of Giza.

    This society was long gone when the Aztecs rose to power, so not much is known of them.  What is known is that these pyramids weren’t built as final resting places, as with their Egyptian counterparts.  Rather, they were lived upon and ceremonies were performed on them.

   
Somewhere around 600-700 A.D. their world began to decline.  Traces of fire in many of the elite houses show an almost ritualistic burning and eradication. 

    When the Aztecs entered the Valley of Mexico, they found these ruins and believed this to be the place were the gods were born.  Teotihuacan means just that in the Aztec tongue. 

    We arrived practically as the gates were opening and we spent an unfettered couple of hours climbing up and down these man-made mountains. 

   
Like the Cathedral on the Zocalo, these pyramids commanded your attention and forced your gaze in their direction.  In these instances, architecture is a true manipulation of emotions, no different than a grand orator from a bygone era.  Those buildings are constantly speaking, and you never cease feeling the need to listen.

    A study of world history often reveals that the elites of many cultures use buildings to overwhelm and, in short order, oppress certain groups of people.  In two days we had visited three buildings that accomplished this: the Metropolitano Catedral, the Templo Mayor, and these behemoths at Teotihuacan.

    Each structure was designed to make the observer stagger a few steps when viewed for the first time, and wonder who, or what, was powerful enough to construct such a fabulous monstrosity?  Surely no ordinary human could do this?  Any person, or persons, that could do this must be more powerful than you or me.  We better listen to them!

    At one point, we approached the Pyramid of the Sun, the largest pyramid, to see tiny figures climbing along the sides, dwarfed by the size.  If I were a bumpkin
from the sticks in 100 A.D., a sight like that would make me believe in magic for sure.

    Around 11 a.m. we we’d had our fill and walked back to the gate to await our ride.  Fifteen minutes later, we were aboard a very nice bus, barreling back towards the Cuidad de Mexico.

    An hour we were in the Terminal de Autobuses del Norte, walking towards the metro stop.  Another 45 minutes would see us back in the Zocalo.

    Unfortunately, until this point, we were unable to give the Catedral Metropolitano a good viewing, be it from the weekend crowds or mass being conducted all day Sunday.

   
Finally, this Monday afternoon would prove to be the perfect time for a nice, slow, perusal. 

    First, let me say, this place is stunning.  And while, I’m at it, let me give every synonym the thesaurus gives for stunning: astonishing, amazing, astounding, extraordinary, incredible, unbelievable, marvelous, wonderful, wondrous, fabulous, miraculous, sensational, startling, shocking, staggering, jolting, jarring, overwhelming, overpowering, and mind-blowing.

    Often, when visiting grand churches, constructed from the Renaissance through the Enlightenment, it’s hard for our protestant minds to comprehend the raw power these building posses, or even why a church, supposedly a place of the people to our minds, would need to show that much brute strength.  Many times when entering buildings such as St. Paul’s in London or York Cathedral in York, my natural tendency is to almost cower. 
The building is saying, “You are a mere mortal, but I will last for ages.”

    I like to imagine myself as an Aztec peasant, in the 17th Century, making my way to Mexico City, and entering this building.  My first sight would be the Altar of Forgiveness.  The name, it’s said, was given because victims of the Spanish Inquisition were brought to this altar as their final place to ask for forgiveness before meeting the executioner.

    As grisly as that story is, my Aztec notions while looking upon this golden monument wouldn’t care.  The sight would be staggering and awe-inspiring.  My world view would change. 

   
As amazing as the Altar of Forgiveness is, it’s just a small taste of what’s to come. 

    As I walk down the nave, the chapels, each impressive in their own right, along the walls are numerous.  Each is dedicated to a different event or person.  To my left, the organ pipes come into view, a sight as foreign to me as the boats the Spanish arrived on, a hundred years ago.

    Another interesting fact is the nave seems to be twisting, with the rear being at an angle to the front.  Unfortunately, the Spanish weren’t as crafty as the Aztec, and, instead of building their temple from lightweight volcanic rock like our temples were built from, they used heavier materials.  As such, their temples are now sinking into the soft lakebed that Mexico City is built upon.

   
I quickly come to the front of the choir and my attention is drawn to the enormous plumb-bob hanging from the central dome.

    The Spanish quickly realized their great creation was shifting rather rapidly.  They strung this bob to measure just how fast this shift was occurring.  Because of this, a timeline of the dome’s vertical progress has been imprinted on the central tile of the church, beginning in 1573. 

    By the 1980’s, leaning was to a point that the church was in danger of collapsing.  A massive project to straighten and anchor the church was undertaken.  Today, the church isn’t back to original, but it isn’t in danger of collapse either.

   
As I look up from the bob, I stare at the Altar of the Kings, a monstrosity of an altar made of gold, that took 19 years to complete.  It spans the height of the back wall and dome and the intricacies of the artwork are mind-blowing.

    Once again, my concepts of reality are bending.  Any society that could produce this work isn’t a society to resist.  It would be better to merge.  It’s obvious the Aztec’s day is done. 


Day Three


               

   


   

   

 
March 14, 2011